The beloved children’s television program Mister Rogers’ Neighborhood used signals to tell its audience when to get ready to listen and learn. At the start of every episode, host Fred Rogers entered his TV home and sang “A Beautiful Day in the Neighborhood” as he changed from a sport coat and loafers to his signature sweater and sneakers. Next, he typically introduced a topic — sometimes veering into sensitive subject matter like divorce or depression — before beckoning the anthropomorphic Trolley to transport viewers into the Neighborhood of Make-Believe. In a given year of the show, Trolley’s commutes covered 5,000 miles, according to PBS, more than the length of the world’s longest river, the 4,123-mile Nile. 

Tom Hanks earned an Oscar nomination for his performance as Fred Rogers in “Won't You Be My Neighbor?”

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Hanks received an Academy Award nod for playing Rogers in “A Beautiful Day in the Neighborhood” (2019), a narrative feature. “Won't You Be My Neighbor?” is director Morgan Neville's documentary about Rogers.

Trolley’s precise origins are somewhat mysterious, but we do know the one-of-a-kind model was hand-built from wood by a Toronto man named Bill Ferguson in 1967, the year before Mister Rogers’ Neighborhood premiered. (Rogers likely met Ferguson when he was living in Toronto and taping Misterogers, which aired on CBC-TV from 1961 until 1964.) The TV host’s love for trolleys went all the way back to his own childhood; during one 1984 episode of Mister Rogers’ Neighborhood, he visited the Pennsylvania Trolley Museum and remembered accompanying his dad on long trolley trips. Young viewers often wrote to Rogers with questions about the show’s trolley, such as why there were no people aboard, to which the host responded that the lack of passengers encouraged kids at home to visualize themselves aboard. Today, Trolley is on permanent display at the Fred Rogers Center at Saint Vincent College in Rogers’ hometown of Latrobe, Pennsylvania. Visitors to Latrobe will have no trouble spotting bumper stickers around town that read “My Other Car Is a Trolley.”

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From teddy bears to train sets, classic playthings of youth often conjure memories of a gleaming toy store, holidays, or birthdays. So curators at the Strong National Museum of Play branched out when they added the stick to their collection of all-time beloved toys. Among the most versatile amusements, sticks have inspired central equipment in several sports, including baseball, hockey, lacrosse, fencing, cricket, fishing, and pool. Humble twigs are also ready-made for fetch, slingshots, toasting marshmallows, and boundless make-believe. 

An enterprising person dubbed a stick an “animal toy” and successfully applied for a U.S. patent.

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In 2002, Ross Eugene Long III of California received a patent for a stick-shaped object made of rubber, plastic, or wood. In a supporting diagram, he labeled 24 parts of his “toy.” However, he neglected to pay a 2010 maintenance fee, so the patent became part of the public domain.

Located in Rochester, New York — about 70 miles northeast of Fisher-Price’s headquarters — the Strong acquired the fledgling National Toy Hall of Fame in 2002. (It was previously located in the Gilbert House Children's Museum in Salem, Oregon.) To date, more than 70 toys have been inducted, including Crayola Crayons, Duncan Yo-Yos, and bicycles. The stick was added in 2008, three years after another quintessential source of cheap childhood delight: the cardboard box. 

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At its peak in 2004, Blockbuster, the wildly successful movie rental chain, boasted 9,094 locations. Today it has just one. Bend, Oregon, is home to the former giant’s last remaining outpost, a status the store attained when its counterpart in a suburb of Perth, Australia, closed in 2019. Originally opened in 1992 as Pacific Video, the location became a Blockbuster franchise store eight years later — and doesn’t look to be closing any time soon. That’s thanks in part to the 2020 documentary The Last Blockbuster, which contributed to the brick-and-mortar store being cemented as a tourist attraction among nostalgia-minded visitors.

The last Blockbuster inspired a craft beer.

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If you ever find yourself in the mood for a drink that “pairs perfectly with buttery theater popcorn,” try the Last Blockbuster. The black ale with “nuances of red licorice” is a collaboration between the store and local brewery 10 Barrel; the label even resembles Blockbuster’s logo.

Besides the throwback vibe, another major attraction is the store’s expansive library. The Bend Blockbuster has a collection of around 25,000 movies, more than six times as many as Netflix, the monolith most responsible for its parent company’s slow decline. And while no one doubts the convenience of streaming, cinephiles continue to champion independent shops such as Scarecrow Video in Seattle (120,000 titles available) and Cinefile Video in Los Angeles (30,000) that carry rare and/or out-of-print selections unlikely to be found on Netflix, Hulu, or most other streaming services.

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It’s often said that “there’s probably a German word” for unusual situations that are difficult to express in English, but sometimes there’s actually a Japanese word instead. Tsundoku, for example, describes the act of buying books and never reading them. Many bibliophiles can surely relate. Doku can be used in Japanese as a verb that means “reading,” and tsun comes from tsumu, which means “to pile up.” According to University of London Japanese studies professor Andrew Gerstle, the word appears to have been coined in 1879 in a satirical reference to a teacher who didn’t read the many books he owned. Despite that, the term — which can also refer to the piles of books themselves — doesn’t carry a particularly negative connotation in Japan.

English doesn’t have any untranslatable words.

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It has plenty, with “serendipity” being perhaps the nicest. The word comes from Serendip, an ancient name for Sri Lanka, where — at least in one Persian fairy tale — people were said to make discoveries they weren’t looking for. The writer Horace Walpole coined the term in 1754.

For some, tsundoku might be anxiety- or even guilt-inducing — who hasn’t bought an imposing tome such as James Joyce’s Ulysses with every intention of reading it, only to pick up something lighter instead time after time? But it doesn’t have to be that way. There can be a joy to “practicing tsundoku,” since every unread book on your shelf can be thought of as a literary adventure in waiting. There’s no time like the present, but neither is there any harm in leaving Don Quixote for just the right moment.

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