Compared to other members of the animal kingdom, humans are pretty good at tasting things. Our primate biology gives us the ability to detect five basic tastes: sweet, salty, sour, bitter, and umami (or savory). These five basic tastes create the nearly limitless flavor profiles of all the foods we enjoy (or detest) — but not all animals are so lucky. Birds, for example, can’t detect spiciness in foods, which is why a pigeon could munch on a Carolina Reaper without a second thought. Taste also varies widely among mammals, and dolphins and whales may be some of the worst off, because they have devolved to only taste salt. That’s right — these unfortunate creatures have slowly lost their sense of taste over millions of years.
Humans have between 2,000 and 10,000 taste buds (we lose some as we age), and a majority of them are located on the tongue. However, other parts of the mouth, including the soft palate, inner cheek, esophagus, and epiglottis, also contain taste buds.
In 2014, scientists analyzed the genomes of 15 species of baleen and toothed whales, and found a massive loss of taste receptors across the board. Although these receptors were technically still present, they had been irreparably damaged by genetic mutations. Researchers were particularly surprised by the loss of bitter receptors, as many toxins in the sea have a bitter taste. This slow-but-steady loss of taste is likely tied to how whales and dolphins eat, as they tend to swallow prey whole rather than chew like many fellow mammals do. So while slowly losing their sense of taste is certainly a bitter pill to swallow, luckily these cetaceans can’t taste it anyway.
The world’s largest dolphin species is the Orca (Orcinus orca).
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Whales and dolphins sleep with only half of their brain at a time.
Whales and dolphins are mammals, and that means they breathe air into lungs just like we do. So without water-breathing evolutionary advantages like gills, how do whales and dolphins sleep without drowning? One big benefit is that marine mammals are much better at holding their breath underwater than us primates. Sperm whales (Physeter macrocephalus), for example, can go 90 minutes without having to come up for air. But over millions of years, whales and dolphins have also developed a few strategies for catching some z’s on the go. Young cetaceans, for example, will swim alongside their mothers and rest within her slipstream. This gives calves time to develop sleeping strategies as well as put on enough blubber to keep them afloat. As adults, whales and dolphins will sleep with half of their brain still operating at a low level of alertness. The other half, along with the opposite eye, is completely asleep. This helps a cetacean keep one eye out for predators, while also periodically breaching the water’s surface to take in gulps of air through its blowhole.
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Darren Orf lives in Portland, has a cat, and writes about all things science and climate. You can find his previous work at Popular Mechanics, Inverse, Gizmodo, and Paste, among others.
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There are people who commit to a cause, and then there’s Julia Butterfly Hill. At age 23, the environmental activist protested the planned logging of a 200-foot-tall redwood tree near Stafford, California, by climbing it and living there for 738 days. Luna, as the famous tree has since come to be known, is 1,500 years old and was occupied by Hill from December 10, 1997, to December 18, 1999 — a two-year "tree sit" that was ultimately successful. Pacific Lumber Company agreed to save Luna in addition to every other tree within a 200-foot buffer zone after being paid $50,000; the company, which was founded in 1863, ultimately went out of business in 2008.
Sequoia sempervirens, also known as coastal redwood and California redwood, is indeed the tallest tree species on Earth. These trees frequently live between 1,000 and 2,000 years.
Hill’s stay in the tree was far from ideal. She lived on a pair of 6-by-4-foot platforms, had supplies hoisted to her by a group of supporters, and zipped a sleeping bag around her entire body (save for a small hole to breathe through) on cold nights. On top of all that, she also braved El Niño winds up to 40 mph and harassment and intimidation from Pacific Lumber (including helicopter flyovers). Hill achieved a kind of celebrity status throughout her two years atop Luna, appearing on radio shows with the help of a satellite phone and earning the admiration of many.
The aforementioned Methuselah isn’t the only extremely old tree. Fellow bristlecone pine Prometheus was at least 4,900 years young when it was cut down in 1964, and a Patagonian cypress in Chile called Gran Abuelo is somewhere between 3,653 and 5,484 years old. Living or otherwise, these super-agers share an important trait: They all have the potential to live indefinitely. There’s little scientific evidence suggesting that trees can or do die of old age in the same way many other organisms do; instead, they’re usually felled by external forces such as storms, fires, or axes. Of course, as “forever” hasn’t happened yet, no tree has lived that long yet — but that doesn’t mean it’s impossible.
Michael Nordine
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Michael Nordine is a writer and editor living in Denver. A native Angeleno, he has two cats and wishes he had more.
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Original photo by Panther Media GmbH/ Alamy Stock Photo
By the end of the 1970s, Hollywood screenwriter Robert Towne had reached the pinnacle of his profession by way of his celebrated work on classics such as Chinatown and Shampoo. Set to make his directing debut with the sports drama Personal Best, he was also heavily invested in a film adaptation of Edgar Rice Burroughs' Tarzan books, which he intended to direct.
Rin Tin Tin garnered the most votes for Best Actor at the first Academy Awards.
Although legend has it that the winning votes for the prolific German shepherd actor were overturned by organizers who wanted the 1929 ceremony to be treated seriously, further research has shown that consideration for Rin Tin Tin came from a studio executive’s joke ballot.
Of course, it's a dog-eat-dog world in the high-stakes business of moviemaking, and after a 1980 Screen Actors Guild strike halted production of Personal Best, Towne sought out independent financing in a deal that ultimately forced him to relinquish his rights to the Tarzan property. And when Personal Best flopped at the box office in 1982, Warner Bros. handed Tarzan to director Hugh Hudson, who subsequently brought in writer Michael Austin to revise Towne's sprawling, unfinished script.
Unhappy with the wholesale changes to his story, Towne took a page from the disgruntled directors who disown their films under the pseudonym of Alan Smithee and insisted on being credited as "P.H. Vazak" — the name of his Hungarian sheepdog — for his contributions to the script. Lo and behold, the completed Greystoke: The Legend of Tarzan, Lord of the Apes garnered a Best Adapted Screenplay Oscar nomination in 1985 for the duo of Michael Austin and P.H. Vazak. The awards ceremony seemed ripe for comedy, but ultimately human Peter Shaffer received the trophy for Amadeus.
The voice of Andie MacDowell, who played Jane in “Greystoke,” was overdubbed by actress Glenn Close.
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Animal actors once had an annual ceremony called the PATSY Awards.
While our favorite screen animals are normally excluded from Oscar recognition, they once enjoyed their own annual awards ceremony, complete with Hollywood pageantry and celebrity. Conceived by the American Humane Association, the Picture Animal Top Star of the Year (PATSY) Awards debuted in 1951 with Ronald Reagan as emcee and Jimmy Stewart on hand to award the night’s biggest prize to Francis the Talking Mule. The Performing Animal Television Star of the Year division was added in 1958, providing a stage for stalwarts like Lassie and Mister Ed to receive their due, and by 1973, the awards were being broadcast nationally. Sadly, the PATSYs were canceled after the 1987 ceremony.
Tim Ott
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Tim Ott has written for sites including Biography.com, History.com, and MLB.com, and is known to delude himself into thinking he can craft a marketable screenplay.
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Bioluminescence, the strange biology that causes certain creatures to glow, is usually found at the darkest depths of the ocean where the sun’s light doesn’t reach. While these light-emitting animals seem otherworldly, the trait is actually pretty common — in fact, you’re probably glowing right now.
The largest known bioluminescent creature is the anglerfish.
While the anglerfish is perhaps the creepiest bioluminescent animal, the “largest” accolade belongs to the Dana octopus squid, with the biggest measuring some 7.5 feet long and weighing 130 pounds. Scientists think the squid uses its lights to blind prey in the dark ocean depths.
According to researchers at Tohoku Institute of Technology in Japan, humans have their own bioluminescence, but at levels 1,000 times less than our eyes can detect. This subtle human light show, viewable thanks to ultra-sensitive cameras, is tied to our metabolism. Free radicals produced as part of our cell respiration interact with lipids and proteins in our bodies, and if they come in contact with a fluorescent chemical compound known as fluorophores, they can produce photons of light. This glow is mostly concentrated around our cheeks, forehead, and neck, and most common during the early afternoon hours, when our metabolism is at its busiest. At such a low level, human bioluminescence likely isn’t an intentional product of evolution as it is for deep-sea fish, fireflies, and many other animals. And most other bioluminescent creatures rely on a compound called luciferin (Latin for “light bringer”) — which humans lack — for their light show. Fortunately, we have unique ways of making light that are all our own.
In antiquity, Lucifer was the name given to Venus as the morning star at dawn.
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The man who discovered the glowing element phosphorus was trying to make gold using human urine.
German merchant Hennig Brand was a dedicated believer in alchemy, a pseudoscience that thought certain elements could be transmuted into gold using what was called a philosopher’s stone. In 1669, Brand focused his attention on turning distilled crystals from human urine into the precious stone. After stockpiling 1,200 fermented gallons of the stuff, he began boiling it. The astonishing result was a white, waxy residue that glowed in the dark, which Brand called phosphorus (Greek for “light bringer,” the equivalent of “lucifer”), and which more fearful folk called the “Devil’s Element.” Brand’s moment of discovery was immortalized in Joseph Wright of Derby’s painting “The Alchymist.” The discovery sparked a new era of chemistry and was one of the first new elements discovered by modern science. Brand never found his philosopher’s stone, but phosphorus wasn’t a bad consolation prize.
Darren Orf
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Darren Orf lives in Portland, has a cat, and writes about all things science and climate. You can find his previous work at Popular Mechanics, Inverse, Gizmodo, and Paste, among others.
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For the first several thousand years of their existence, doors were largely knob-free; they were typically opened and closed using latches, handles, bars, or leather straps. The process of entering and exiting a room was revolutionized on December 10, 1878, when a self-taught 16-year-old inventor named Osbourn Dorsey received a patent for a doorknob with an internal door-latching mechanism. This was a massive improvement to existing doorknobs, which lacked internal latches and were generally more difficult to use — some used external bolts or strings and didn’t stay in place as well. However, as modern innovations can take a while to catch on, it took several more years for most people to embrace Dorsey’s upgraded doorknobs and begin having them installed in their homes.
They were actually invented in ancient Egypt. The earliest known evidence of doors are depictions found in Egyptian tomb paintings dating back 4,000 years.
Although most of us now use Dorsey’s version of a doorknob every day, little else is known about the African American inventor’s life beyond the fact that his mother Christina and siblings Mary and Levi were enslaved prior to his birth in 1862. Before his inventing days, Dorsey either trained or worked as a blacksmith.
Though we may think of them as fairly newfangled inventions inextricably linked to our electronic gadgets, batteries as we know them today were actually invented more than 200 years ago, in 1800. The mind behind this innovation was Alessandro Volta, who was born in 1745 and came up with the chemical battery more than half a century later.
Volta had long been interested in conductivity, having written his paper “On the forces of attraction of electric fire” in 1769, and his invention was preceded by several other relevant experiments. His voltaic pile, as it was called at the time, was a stack of some 30 alternating zinc and silver discs separated by cloth soaked in brine. A current flowed when he connected a wire to both ends, and what he initially dubbed an “artificial electric organ” proved to be a massive success.
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Michael Nordine is a writer and editor living in Denver. A native Angeleno, he has two cats and wishes he had more.
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Even if you’ve never heard of Alan Smithee, there’s a chance you’ve seen one of his movies. Well, kind of. For decades, directors followed guidance from the Directors Guild of America by using the pseudonym when they didn’t want their actual name on a film. That most often occurred when the finished product was far removed from the director’s original vision due to studio interference or other issues. Most films carrying this dubious distinction aren’t well known — you probably haven’t heard of The Barking Dog, Let’s Get Harry, or Ghost Fever — but there are exceptions, including a Hellraiser sequel and one segment of a Twilight Zone episode.
The Coen Brothers have used a pseudonym on several movies.
Joel and Ethan Coen have been writing, directing, producing, and editing movies together for decades, but they haven’t always used their real names. In order to avoid repetition, they’ve given editing credit to the pseudonym Roderick Jaynes, who has received multiple Oscar nominations.
Perhaps the most revered and well-known filmmaker to be credited as Alan Smithee is David Lynch, who disowned his ill-fated 1984 adaptation of Dune due to studio meddling; he has since insisted on having final cut on all his projects in order to avoid a repeat of that experience. (Lynch has called the film a “huge, gigantic sadness,” and though his name appears on the theatrical version, Alan Smithee is credited on subsequent editions.) Sometimes the reason for the pseudonym was less dramatic, as when movies such as Michael Mann’s Heat or Martin Brest’s Scent of a Woman were edited for television or airlines and the director didn’t agree with the changes in those versions. Smithee officially retired in 2000 following a decision by the Directors Guild of America, though nonmembers have continued to use the name on occasion.
The first movie credited to Alan Smithee was “Death of a Gunfighter.”
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A made-up screenwriter was nominated for an Oscar.
When Charlie Kaufman set out to write Adaptation (2002), his follow-up to the mind-bending Being John Malkovich, he “honestly did not think [the] movie would ever see the light of day.” But the beguiling metafictional drama about writing, orchids, and twin brothers did indeed get made — albeit with a little help from Kaufman’s fictional twin Donald, who appears as a character in the film (played by Nicolas Cage) and also received a co-screenwriting credit. “Their” script went on to receive an Academy Award nomination for Best Adapted Screenplay, making Donald the first fictional screenwriter to be so honored. Kaufman later won the Oscar for Best Original Screenplay in 2004 for Eternal Sunshine of the Spotless Mind, a feat he achieved without the aid of his cinematic, and entirely made-up, sibling.
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Michael Nordine is a writer and editor living in Denver. A native Angeleno, he has two cats and wishes he had more.
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The end of the dinosaurs is often pictured as an apocalyptic event complete with a giant asteroid, a cataclysmic collision, and general fire and brimstone-type stuff, but the ends of biological epochs are rarely so cut-and-dried. In fact, the story of the dinosaurs didn’t even end on that unfortunate spring day 65 million years ago, because dinosaurs still live among us — we just call them birds.
Chickens are the most abundant wild birds in the world.
Chickens are the most abundant domesticated birds, but the most plentiful wild bird is the red-billed quelea (Quelea quelea). This sparrow-like bird, native to sub-Saharan Africa, flies in synchronized hordes, and has an estimated world population of 1.5 billion.
Today, scientists consider all birds a type of dinosaur, descendants of creatures who survived the mass extinction event at the end of the Cretaceous. And yes, that even includes the chicken. In 2008, scientists performed a molecular analysis of a shred of 68 million-year-old Tyrannosaurus rex protein, and compared it to a variety of proteins belonging to many different animals. Although proteins from alligators were relatively close, the best match by far belonged to ostriches — the largest flightless birds on Earth — and the humble chicken.
Today’s chicken is a descendant of a still-extant tropical bird known as the red junglefowl, and a member of an order of birds known as Galliformes (gallus means “rooster” in Latin). Following the initial 2008 study, further research has proved that a chicken’s genetic lineage closely resembles that of its avian dinosaur ancestors. Scientists have even concluded that a reconstruction of T. rex’s chromosomes would likely produce something similar to a chicken, duck, or ostrich. So the next time you eat a chicken for dinner, you might pause to consider its connection to some of the most fearsome beasts to ever stalk the planet.
The cassowary, the most dangerous bird in the world, is known as a “living dinosaur.”
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The egg came before the chicken.
There’s a well-known riddle that seems to present a biological paradox: What came first, the chicken or the egg? At first glance, the question may seem impossible to answer, but that actually depends onwhat you mean by “egg.” Sexual reproduction emerged in nature some2 billion years ago, and the ancestors of birds began laying eggs around 300 million years ago. With the modern chicken onlyemerging some 10,000 years ago, the egg — if we mean any kind of egg — clearly predates the chicken. When discussing specifically a chicken egg, the answer changes. Although scientists can’t pinpoint the exact moment, at some point ancient landfowl breeders chose two ofthe tamest red junglefowls (Gallus gallus) and produced an egg with an embryo mutated just enough to be considered a modern chicken (Gallus gallus domesticus). In 2010, researchers found that chicken eggs can’t be produced without a protein found in chicken ovaries called ovocledidin-17 — which suggests that the first chicken had to come before the first chicken egg, which was probably laid when that first chicken reached maturity at around 18 weeks of age.
Darren Orf
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Darren Orf lives in Portland, has a cat, and writes about all things science and climate. You can find his previous work at Popular Mechanics, Inverse, Gizmodo, and Paste, among others.
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Rules are meant to be broken, except when they’re not. To wit: There’s a rule for the order of adjectives in English that almost everybody follows without realizing it. It’s called order force, and it goes as follows: opinion, size, age, shape, color, origin, material, purpose. If that sounds hard to wrap your head around, think of a pet. You would refer to your beloved tabby who’s been getting on in years as “my old orange cat” rather than “my orange old cat,” which sounds strange and somehow wrong even if you’re not sure why. Order force is why, just as it’s the reason My Big Fat Greek Wedding wasn’t called My Greek Fat Big Wedding — the latter conveys the same information, but seeing it in that order just doesn’t feel right.
The language was actually brought to Britain in the fifth century by three Germanic tribes (the Angles, Saxons, and Jutes) from what’s now Germany and Denmark. It’s thought that Britons at the time spoke a Celtic language, whereas the invaders spoke a forerunner to Old English.
According to Mark Forsyth’s book The Elements of Eloquence: How To Turn the Perfect English Phrase, the stakes are higher than you might think: “If you mess with that order in the slightest you’ll sound like a maniac,” he writes. Forsyth might be exaggerating for effect, but it’s still true that mixing up the order of adjectives in his example — “a lovely little old rectangular green French silver whittling knife” — into, say, “a rectangular old French little green lovely silver whittling knife” makes the description almost incoherent. Fortunate, then, that we all abide by order force whether we mean to or not.
If you’ve ever wondered why English is considered a fairly difficult language to learn for non-native speakers, consider “ough.” Depending on the context, it can be pronounced at least 10 different ways — and it isn’t always readily apparent which is correct. Those 10 different ways are off (as in cough), uff (as in tough), ow (as in plough), oh (as in though), uh (as in the British pronunciation of thorough), oo (as in through), up (as in hiccough, the British spelling of hiccup), aw (as in thought), ock (as in hough, a primarily Scottish way of spelling hock), and och (as in lough, another way of spelling loch). Here’s a sentence that uses nine of them: “A rough-coated, dough-faced, thoughtful ploughman strode through the streets of Scarborough; after falling into a slough, he coughed and hiccoughed.” Try saying that five times fast.
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Michael Nordine is a writer and editor living in Denver. A native Angeleno, he has two cats and wishes he had more.
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You’d be hard-pressed to find a film set in New York City that doesn’t feature a canary-hued taxi cab in the background. But contrary to popular belief, taxis haven’t always been bright yellow. In fact, when businessman Harry Allen imported the first gas-powered taxis to New York City from France in 1907, the cabs appeared in shades of red and green.
New York City’s first motorized taxis were electric vehicles.
The Electric Carriage and Wagon Company was NYC’s first taxi service, ferrying passengers in battery-operated cars as early as 1897.
Allen’s cabs were the first in the Big Apple to feature toll calculators, aka taximeters, a feature he sought out when getting into the industry, thanks to his experience being price-gouged on a short trip through Manhattan. In an expensive act of revenge, Allen’s whirlwind dive into the taxi business included hiring uniformed cab drivers to haul around customers in brand-new cars; within a year, the businessman had expanded from a mere 65 cabs to 700. Allen wouldn’t hold a cab monopoly though; his employees soon demanded higher wages and began to strike over unfair business practices. Competing cab companies cropped up, and to stand out, they began painting their cars in easy-to-spot colors: yellow, orange, green, or with black-and-white checkered trim.
New York City’s taxi industry was plagued with issues for decades thanks to the Great Depression, legal and labor disputes, and an increase in traffic accidents. To combat those problems, the city enacted a medallion system in 1937 under the Haas Act, a law that limited the number of available taxis and cut down on street gridlock. But it was about 30 years later that the city added on a new regulation that would give cabs their iconic hue — by 1970, licensed cabs in New York had to be painted yellow, specifically Dupont M6284. The reasoning? The bright color could help passengers pick out permitted cabs, which all charge the same fair rate, from unlicensed taxis, which weren’t allowed to be painted yellow.
The word “cab” is shortened from cabriolet, a two-wheeled horse-drawn carriage.
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School buses are considered one of the safest vehicles, in part because of their color.
Before the 1940s, catching a ride to school looked different depending on where a student lived; it was common to be picked up by bus, truck, or even horse-drawn wagon. In an effort to make school transportation safer, educators from across the country met in 1939, hoping their ideas could also standardize school bus designs and thereby save money. That’s where education expert Frank Cyr, the so-called “Father of the Yellow School Bus,” unveiled the shade we know today: color 13432, aka National School Bus Glossy Yellow. Cyr’s research found that the orange-yellow color was incredibly visible to other travelers, and paint experts agree the hue stands out far better than any shade (even red) in our peripheral vision, making it harder to miss. That’s in part why school buses — which are heavily regulated to include additional features like swing-arm stop signs — are considered 70 times safer for schoolchildren than riding in cars.
Nicole Garner Meeker
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Nicole Garner Meeker is a writer and editor based in St. Louis. Her history, nature, and food stories have also appeared at Mental Floss and Better Report.
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Humans tend to adore cats despite some of their more difficult tendencies, which include sprawling across laptops and books, delivering (unwanted) gifts of mice, and begging for a food refill before their bowl is even empty. Not to mention keeping their pet parents up all night with loud yowls and frenzied midnight runs. But who can blame a house cat for the mischief they get up to in the wee hours? After all, cats sleep around 15 hours per day, so it makes sense that their bedtime routines don’t align with ours. However, cats don’t bank all those hours of rest at once. While sleep habits can vary by breed, domesticated cats generally take frequent catnaps lasting 15 to 30 minutes each, followed by bursts of activity, and then occasional periods of deeper rest.
For humans, sleep is just as vital to survival as food and water, allowing our bodies to rest, heal, and retain information. It’s why we doze so frequently and for so long. Banking seven to eight hours each night adds up quickly; about one-third of our lifespan is spent snoozing.
Feline researchers believe cats’ unique sleeping patterns evolved from their need to store energy between hunts. Prowling for and pouncing on prey is a major energy drain, and resting after hunting and eating allows cats to prepare for their next pursuit. However, cats have developed different styles of sleeping to still be aware of the world around them during their daytime naps. Catnapping felines remain partially awake, can still move their ears and tails, and even keep their eyes partially open to detect danger. When they do doze more deeply, cats experience REM sleep just like humans — one reason scientists believe they dream like us, too.
Cats are crepuscular animals, meaning they’re most active at dawn and dusk.
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Koalas sleep the most of any animal.
Cats may spend most of their days lounging around, but another mammal holds the record for sleepiest animal: koalas. These pouched tree-dwellers snooze between 20 and 22 hours per day, waking at night to feast primarily on eucalyptus leaves. While toxic to other animals, eucalyptus is the koala’s primary food source, and it’s tough to digest; the leaves are especially fibrous and are light in nutrients. That means koalas require extra rest just to power the digestion process. However, active koalas can use that banked energy to really move around; when spooked, the marsupials can run at speeds up to 18 miles per hour.
Nicole Garner Meeker
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Nicole Garner Meeker is a writer and editor based in St. Louis. Her history, nature, and food stories have also appeared at Mental Floss and Better Report.
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