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It’s hard enough for your doctor to diagnose your mystery rash, but it’s leaps and bounds harder for historians to make sense of history’s weirdest and most mysterious maladies. Even with updated technology and research, it’s difficult to really know what really happened 500 or even 100 years ago. And that’s not to mention some afflictions that still stump us. These five cases — from explosive teeth to a dancing plague — have been the source of scientific speculation for decades or more. Do you have any theories?

Dancing mania sweeps through Europe during medieval plague.
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The Dancing Plague of 1518

In July of 1518, a woman in Strasbourg — now part of France, then part of the Holy Roman Empire — stepped into the street and started to dance. She kept going until she collapsed from exhaustion, then started up again. More people started to join her, and a week later, there were more than 30 dancers, unable to stop even when overexertion set in and they started hurting themselves. Local leadership thought the solution might be more dancing, so they brought in dance halls, musicians, and even professional dancers. The issue, predictably, got worse, and eventually hundreds of people were afflicted. Some died of heart attacks and strokes. Strangely, this isn’t even the only time this happened — just the best-known case.

At the time, doctors and clergy thought the culprit was demonic possession or “hot blood.” Modern theories include stress-induced mass hysteria or a psychoactive mold called ergot that grows on rye (and which some have also blamed for contributing to the Salem witch trials).

A dentist taking a look tooth models.
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The Mysterious 19th-Century Exploding Teeth

In the early 19th century, modern dentistry was basically in its infancy, which may be why nobody knows what caused several cases of exploding teeth. In 1817, a Pennsylvania reverend had a toothache so bad that he was, according to his dentist, “boring his head on the ground.” The next morning, his tooth burst apart with a sharp cracking sound and the pain was gone.

One exploding tooth is strange, but this wasn’t an isolated incident. Three more cases popped up in America in 1830, 1855, and 1871, and a few were recorded in England as late as the 1920s.

In 1860, one dentist theorized that gas from tooth decay was building up and causing the teeth to explode. Modern dentists have suggested that it was an issue with the varieties of metals used for fillings at the time. Both are pretty unlikely scenarios, and the cause remains a mystery.

Portrait Ludwig van Beethoven.
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What Plagued Ludwig van Beethoven?

Composer Ludwig van Beethoven famously started losing his hearing in his late 20s, and although he kept making music for another three decades, his affliction caused some severe depression. His lesser-known ailments certainly didn’t help, either; in his early 20s, he developed severe gastrointestinal symptoms that lasted the rest of his life. Overall, his symptoms were bad enough that he hoped his malady would be studied after his death. He died at the age of 56 with damage to his liver, kidneys, and pancreas after contracting pneumonia. Historians have spent the last 200 years trying to figure out his underlying illness, suggesting everything from lead poisoning to syphilis to celiac disease. DNA analysis from locks of his hair hasn’t turned up anything conclusive (and has just created some more mysteries), but it did reveal a genetic predisposition to liver disease.

Close-up of a 1920s woman sleeping.
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The Sleeping Sickness of the 1920s

In 1915 or 1916, doctors in Europe started seeing patients with a mysterious set of symptoms. The condition would start out as a headache, fever, and sore throat before declining into a bevy of neurological symptoms such as double vision or tremors. Around 1 million people eventually developed encephalitis lethargica, or sleeping sickness — unrelated to African trypanosomiasis, which is also sometimes called sleeping sickness.

Eventually, many patients became catatonic or developed debilitating movement disorders that would keep them institutionalized for the rest of their lives. Some patients were revived briefly in 1969 with an experimental Parkinson’s drug, but eventually the symptoms returned. After killing hundreds of thousands of people, the disease all but disappeared in the late 1920s. Around 80 cases have been reported since 1940, but since the diagnostic criteria varies, the diagnoses may be unreliable.

Close-up of sweat on a persons back.
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Water Allergies

This affliction is more modern — it was first described in 1964. Technically known as aquagenic urticaria, it involves itchy, stinging welts that erupt within a couple of minutes after the sufferer’s skin touches water. (Drinking water usually seems to be fine). Only 37 cases have ever been reported. Scientists don’t understand what causes it: It might be a response to some kind of toxin in the water, a sensitivity to the ions in water, or some kind of histamine response. There’s no cure, only symptom management (like applying petroleum jelly before showering).

Sarah Anne Lloyd
Writer

Sarah Anne Lloyd is a freelance writer whose work covers a bit of everything, including politics, design, the environment, and yoga. Her work has appeared in Curbed, the Seattle Times, the Stranger, the Verge, and others.

Original photo by cokada/ iStock

If you’ve ever picked up a modern fantasy novel or movie, chances are you already know at least a little about some kind of dragon, whether it’s the scaly and fire-breathing kind from Game of Thrones or Lord of the Rings or the fuzzy, blessed beings in Spirited Away, Raya and the Last Dragon, and The Neverending Story.

Of course, dragons didn’t just appear out of the mist — these fantasy beings evolved over millennia of folklore, myth, and spirituality. How did dragons enter the human imagination? Did people actually believe in them? What did “Here Be Dragons” really mean on old maps? Get ready to devour these seven dragon facts.

A dragon flying at night against the moon.
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Dragon Mythology Has Existed Around the World Since Ancient Times

Nearly every region of the world has its own dragon myths, from the benevolent Chinese long to the medieval villains in Europe. Even the Western Hemisphere has ancient dragon myths.

The Rigveda, an Indian text that originated sometime around 1500 BCE, features a snake-like dragon in a creation story. In ancient Babylon, the Mushussu, a vast, cosmic dragon — mostly snake, but part eagle and lion — guarded the gates of Ishtar. The Greek drakon appears throughout ancient mythology. The Olmec people, an early civilization in the Americas dating back to at least 1200 BCE, have what archaeologists refer to as the “Olmec dragon,” a powerful god that’s part reptile, part jaguar, and part bird. The Rainbow Serpent deity of Indigenous Australians goes back at least 6,000 years.

Close-up of bones of dinosaur.
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Nobody Knows How Dragon Myths Started, But Scholars Have Some Ideas

Although dragon myths are incredibly widespread, those who study ancient folklore can only theorize about how the idea of the dragon started. Most scholars say that these stories developed independently in different parts of the world, but there are a few things that could have caused big snakes — the root of most, if not all, dragon myths — to evolve into something more legendary.

Dinosaur fossils and whale bones may have played a role in imagining these giant creatures, since most of our ancestors would have had little idea what these objects really were. One anthropologist theorizes that the idea of the dragon evolved in human minds as an amalgamation of predators like elephants, pythons, and birds of prey, which humans became hard-wired to fear. Because so many early dragon myths concern water — most regions of the world have a story of a dragon that either controls the rain or guards a body of water — one linguist theorized that rainbows are the common origin. In many early cultures, rainbows are associated with supernatural serpents who guard stores of fresh water and cause the rain to cease by drinking it.

Dragon statue on Dragons bridge in Ljubljana, Slovenia.
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The Medieval Western Dragon Came Along Relatively Late

For centuries, the dragon was thought of as a form of snake in Europe. But over time, the European medieval dragon — the model we typically now see in Western media like Game of Thrones and the Lord of the Rings series — evolved, especially as Christianity started spreading northward and mingling with Celtic and Germanic cultures. (Under the Christian influence, dragons often became associated with sin and Satan.)

One milestone was the epic Anglo-Saxon poem “Beowulf,” which was written between the eighth and 11th centuries (the date of its creation is unclear). In the tale’s final battle, the hero Beowulf faces a treasure-guarding, fire-breathing dragon that can fly, although the creature is still more snake than lizard. By the 13th century, winged, bipedal dragons had appeared in at least one bestiary.

This type of dragon is common in folklore throughout the European Middle Ages, but interest waned for a couple hundred years after that. The legends came back to life in the 19th and 20th centuries, thanks at least partially to the Grimm Brothers and, later, J.R.R. Tolkien, who modeled Smaug from “The Hobbit” on a few European dragons, including the Beowulf foe and the Norse dragon Fafnir.

Compass placed on top of reproduction of section of Olaus Magnus's 16th century Marine Map.
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The Phrase “Here Be Dragons” Is (Mostly) Apocryphal

“Here Be Dragons” is a phrase that supposedly has its roots in old mapmaking, particularly before 1600 or so, as a way to indicate danger or the unknown. It’s true that cartographers often used majestic, monstrous beasts as ornaments and markers, but only one or two known early globes reference dragons specifically. No known old paper maps write out a specific dragon warning (although a couple of them do have dragons among their adornments). Fantastical drawings — of dragons, sea monsters, and more — were, in part, added to sell more maps, which were then more of a luxury item than an everyday tool.

Puff the Magic Dragon children's book.
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“Puff the Magic Dragon” Was Inspired by a 1930s Children’s Poem

“Puff the Magic Dragon,” the now-classic 1963 song by Peter, Paul, and Mary, has an interesting backstory, and no, it’s not about drugs. A few years before the song was recorded, a 19-year-old college student at Cornell named Lenny Lipton had just arrived at a friend’s house for dinner. Before he left, he was reading the 1936 children’s poem “The Tale of Custard the Dragon” by Ogden Nash, a relatively lighthearted tale of a scared little pet dragon that musters up the courage to kill and devour a pirate when his friends are in danger. Feeling inspired, Lipton sat down at a typewriter at his friend’s house and wrote what would eventually become “Puff the Magic Dragon,” a tale about growing out of childhood things like imaginary dragon friends.

“Pirates and dragons, back then, were common interests in stories for boys,” he later told LA Weekly. “The Puff story is really just a lot like Peter Pan.”

At the time, Lipton didn’t put a lot of thought into it, and left his poem behind in the typewriter. It turns out his friend’s roommate was Peter Yarrow — as in Peter, Paul, and Mary — who found it and adapted it into the popular song.

The dragon (LINDWURM) in Klagenfurt, Austria.
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A “Dragon” Skull Stood for 200 Years in an Austrian Town

The Lindwurm is a creature in Germanic folklore that’s on the snakey side of dragon: a winged serpent with brilliant green scales. It’s a troublesome beast, known for destruction and general carnage, and legend told of one that lived in the dense woods just outside Klagenfurt, Austria. So when some Klagenfurt residents found a “lindwurm” skull in a quarry in 1335, it was put on display in the town hall. An artist borrowed the skull to make a full statue of the dragon in 1582, which is still on display today in the town’s central square, along with a fountain and a statue of Hercules. It’s considered one of the first efforts to reconstruct the appearance of an animal from a fossil — even though the skull was not from a dragon, but from an Ice Age woolly rhinoceros. The skull itself is still on display in a local museum.

Two Komodo dragon fight with each other.
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Komodo Dragons Love To Play

Unlike the other creatures on this list, Komodo dragons are real. Sure, they’re a little terrifying — they may drool deadly venom, are able to swallow a goat whole, and sometimes surprise people in the bathroom — but have you ever seen one playing with a bucket?

Play behavior is relatively rare in reptiles, but the world’s largest lizard is exceptional. Researchers have observed play in captive Komodo dragons that includes tug-of-war and putting bags and buckets on their heads. Other captive Komodos can tolerate leashes, enjoy massages, and even come when they’re called, proving that they’re far more complex creatures than the killing machines they sometimes appear to be.

Sarah Anne Lloyd
Writer

Sarah Anne Lloyd is a freelance writer whose work covers a bit of everything, including politics, design, the environment, and yoga. Her work has appeared in Curbed, the Seattle Times, the Stranger, the Verge, and others.

Original photo by Jorge Zapata/ Unsplash

During Mad Men’s first season, Don Draper (Jon Hamm) gave his protégé, Peggy Olson (Elisabeth Moss), his slogan-writing secret: “Just think about it. Deeply. Then forget it. And an idea will jump up in your face.” There’s a good chance that formula inspired many of the most indelible taglines in real-life ads — which tend to be deceptively simple, like these.

A close-up of Maxwell House coffee cans on a store shelf.
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Maxwell House: “Good to the Last Drop”

A presidential urban legend has been percolating through Maxwell House headquarters for more than a century, citing President Theodore Roosevelt as the originator of their slogan, “Good to the Last Drop.” However, as with many other urban legends, the details are subject to debate.

Maxwell House debuted under the Nashville Coffee and Manufacturing Company moniker in 1901. There’s no disputing that in 1907, Roosevelt drank coffee during a visit to the Hermitage — the Nashville mansion President Andrew Jackson occupied for decades. But this is where the facts start to stray. Naturally, Maxwell House believed the commander-in-chief was enjoying their beverage at the mansion, but three more businesses made the same claim. According to a newspaper report, in between sips Roosevelt said, “This is the kind of stuff I like to drink, by George, when I hunt bears.” Yet after his 1919 death, Maxwell House advertised that Roosevelt had made a different declaration at the Hermitage, calling their java “good to the last drop.” Maxwell House retains the slogan today. Meanwhile, Coca-Cola takes credit for crafting the phrase during Roosevelt’s administration.  

A young girl sits at a table, digging with one hand in a box of Wheaties breakfast cereal.
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Wheaties: “The Breakfast of Champions”

Gold Medal Whole Wheat Flakes was an early name for Wheaties, which made its debut in 1921. At first, the product wasn’t very successful, but that all changed thanks to a fictional character named Jack Armstrong. During a neighborhood stroll, Sam Gale — the vice president of advertising at the cereal’s parent company, General Mills — realized that families weren’t basking outdoors because they were inside listening to the Washington Senators-New York Giants 1933 World Series. Wheaties began sponsoring baseball broadcasts and unveiled its own long-running radio adventure series, Jack Armstrong, All-American Boy. On the show, the protagonist and his playmate, Betty Fairfield, often exercised by playing tennis, golf, or basketball. Wheaties placed Armstrong on their print ads and also on a billboard at the Minneapolis Millers’ ballpark, integrating the tagline “Wheaties — The Breakfast of Champions.” In 1934, Yankees first baseman Lou Gehrig graced a Wheaties box, creating a pop-culture milestone athletes have repeated ever since.

A display of diamonds in the window of a jewelry store from De Beers.
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De Beers: “A Diamond Is Forever”

In 1938, London-based De Beers tasked Philadelphia ad agency N.W. Ayer & Son with a challenge: Boost diamond sales. The Great Depression had hindered the sale of diamonds, which were already regarded as too luxurious for everyday Americans. However, the challenging part wasn’t selling more diamonds, but the parameters on how diamonds were marketed. Since De Beers controlled the global supply of rough diamonds, the company would violate U.S. antitrust laws if their name or photos of their jewels were promoted on any marketing materials, including newspaper and magazine ads. On an evening in 1947, Mary Frances Gerety, one of the few female copywriters in the industry, quickly jotted down, “A Diamond Is Forever,” and then fell asleep. Scientifically untrue, the line was first met with a tepid response, but Ad Age eventually christened Gerety’s work the slogan of the century. She wrote all of De Beers’ ads for the next 25 years. Ian Fleming even borrowed her signature sentiment for his fourth James Bond novel, Diamonds Are Forever.

A view of a classic old black Volkswagen Beetle.
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Volkswagen: “Think Small”

The Volkswagen Beetle was the first automobile model in history to sell 20 million cars. Much of that success is owed to its innovative American advertising agency, Doyle Dane Bernbach. During his first tour of a German Volkswagen plant, agency cofounder Bill Bernbach described the Beetle as “honest.” But before the brand fully embraced self-deprecation, sincerity became a tenet of the founding campaign. Helmut Krone, the co-writer of “Think Small,” was an early Volkswagen driver with German-born parents. In 1959, he and Julian Koenig rejected the swagger of American-made muscle cars, embracing a less-is-more philosophy that was echoed on a page of mostly negative space. Beetle ads were printed in black-and-white to save money, but the lack of color only underscored the message of simplicity.

Close-up of the box of a Wendy's burger and the prep station.
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Wendy’s: “Where’s the Beef?”

In 1984, Wendy’s contended that McDonald’s and Burger King exaggerated the size of their patties by stacking Big Macs and Whoppers. To enlighten fast food customers, R. David Thomas’ company greenlit a TV ad with a gruff octogenarian who called it as she saw it. Director Joe Sedelmaier delighted in the authentic delivery of untrained actors like 4-foot-10 Clara Peller, the veteran salon worker who barked “Where’s the beef?” as her friends noted a competing burger’s “big, fluffy bun.” The instantly quotable commercial aired for 10 weeks and supplied Walter Mondale with a presidential primary debate zinger. All Wendy’s locations saw at least a 10% growth in sales over the previous year. However, corporate executives had a cow when they saw Peller in a Prego spaghetti sauce spot, exclaiming, “I found it!” She never appeared in another Wendy’s ad.

Georgia, the star of Got Milk? commercials during New "Got Milk?" Commercial Premiere.
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Milk: “Got Milk?”

A candid focus group participant helped San Francisco creatives launch one of the most inescapable ad campaigns of the late 20th century. When brainstorming ideas for the California Milk Processor Board, executives at Goodby, Silverstein & Partners asked focus group attendees to abstain from milk for a week prior. One man recapped his experience readying the perfect bowl of cereal — only to realize he had to skip a key ingredient. The anecdote’s responses convinced the agency that people feel emotionally attached to milk, a theory they tested by emptying cartons in the office refrigerator, then hiding a camera to gauge reactions. “Got Milk?” arose in 1993 from the observed fear of running out. Michael Bay and Annie Leibovitz both shot ads, which often sported celebrities with milk mustaches. Today’s average American downs 18 gallons of milk per year, a 40% drop from 1970.

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Interesting Facts writers have been seen in Popular Mechanics, Mental Floss, A+E Networks, and more. They’re fascinated by history, science, food, culture, and the world around them.

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When you’re driving in a new country, the road is going to feel a little different. Maybe you find yourself driving on the left side of the street when you’re used to the right. There could be a new speed limit to adjust to. In extreme circumstances, you could find yourself on more perilous terrain than back home. Thankfully, there are often road signs to guide you, whether you’re dealing with unique geography, a different set of wildlife, or just culture shock. These six road signs might make you do a double-take if you drive past one — but try to keep your eyes on the road!

Warning sign dog sleds crossing the street.
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Greenland: Sled Crossing

Dog sledding is part of everyday life in icy Greenland, where you can’t even travel one town over by car. Because the topography of the land includes a high concentration of mountains and fjords, it’s impossible to build a full road system. The Indigenous Inuit people have been traveling by dog sled for centuries, and even have a specific breed of dog (appropriately, Greenland dogs) bred for the job. So it’s no wonder there’s a sign for when dog sleds are likely to be present. It’s a triangle with a bold red outline and a silhouette of a sled on it. There’s a similar sign for snowmobiles, which you’ll need if you don’t have access to a dog sled.

Road Signs of Ladakh, India.
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India: PEEP PEEP DON’T SLEEP

Border Roads Organisation (BRO) is an Indian government entity that maintains roads along the country’s border areas. BRO’s project Himank builds and maintains roads in the Ladakh region high up in the Himalayas, including the highest-altitude road in the world. But it’s not just the height that sets those roads apart — it’s the bright yellow stone signs with notoriously wacky safety slogans warning travelers against falling asleep at the wheel, driving drunk, and distracted driving. Examples include “AFTER WHISKY DRIVING RISKY,” “DRIVE ON HORSEPOWER, NOT RUM POWER,” “SAFETY ON THE ROAD, ‘SAFE TEA’ AT HOME,” and “PEEP PEEP DON’T SLEEP.” Slogans like “IF YOU SLEEP YOUR FAMILY WILL WEEP” are especially ominous.

Not all of the signs are about safety; some just offer general encouragement (“WHEN THE GOING GETS TOUGH, THE TOUGH GET GOING”) or dubiously attributed celebrity quotes (“WITHOUT GEOGRAPHY YOU’RE NOWHERE” — JIMMY BUFFETT).

A kangaroo crossing in front of a warning sign in Australia.
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Australia: Kangaroo Crossing

In Australia, kangaroos are involved in a significant number of animal-related accidents. In the state of New South Wales (NSW), where kangaroos roam even in urban areas, collisions are especially common — sometimes because a car hits a kangaroo, other times because a car swerves to miss a kangaroo. In a telephone survey of residents of Canberra — the capital of Australia, located in NSW — 17% of car owners reported some kind of kangaroo collision. Usually kangaroo crossing signs look like wildlife warning signs familiar in the United States and other countries, with a silhouette of a kangaroo on a yellow diamond. In some areas that see a lot of kangaroo collisions, the signs get bigger and brighter, and include a number to call in case of injured wildlife.

While kangaroo signs have never officially popped up in the United States, one prankster in North Carolina mounted an unofficial one in such a convincing way that it made the local news.

Public hot tub sign in Iceland.
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Iceland: Public Hot Tub Ahead

Iceland is world-renowned for its weird, cute, and one-of-a-kind road signs, like a pretzel indicating the way to a bakery. (One northern town also has heart-shaped stop lights.) Even the country’s most logistical signage is a major target of theft because of the nation’s unique geography and the graphic design that warns of it — images of cars driving into water or bouncing on rough terrain are common.
Iceland’s roadside service markers are incredibly thorough, with little icons indicating everything from crossing divers (a person wearing a snorkel and flippers in a crosswalk) to dog hotels (a dog with a roof over its head). One particularly useful sign in Iceland’s cold climate lets drivers know of a nearby hot tub: It features a head emerging from water with a thermometer next to it. Sans thermometer, it means there’s a public pool nearby, which is still nice.

Road sign of a car crash and a moose.
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Newfoundland: Moose With Car Wreck

Moose crossing signs are present wherever moose are common, but they typically just have a silhouette of a moose, like other wildlife crossing signs. A national park in Newfoundland, Canada, has a different design — one that adds a sense of urgency.

Moose are not native to Newfoundland, and the first ones arrived relatively recently, in 1904. These giant creatures throw a wrench in the natural ecosystem, and the natural forests are having trouble regenerating as a result of excessive moose-snacking. Meanwhile, with abundant food and few predators, the moose are having a great time. As a result, there are way too many of them, and drivers run into them pretty frequently. Most of Newfoundland has a simple sign of a single moose, but in Gros Morne National Park, the moose is joined by a wrecked car. That helps drive home the point that striking a moose is extremely dangerous for both the animal and the driver.

Road sign of German autobahn.
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Germany: Entering Autobahn

The Autobahn is a uniquely German freeway, best known for not having a speed limit. That’s not strictly true (some segments do have limits), but there are long stretches where lead-footed drivers can test their top speeds… assuming they follow the other rules of the road.

The blue “entering Autobahn” sign means that drivers have to follow all the rules of the Autobahn. Some of these rules are similar to those on American interstates, like a minimum speed limit that keeps out slower, more vulnerable travelers such as cyclists and equestrians. Other rules may be less familiar: By law, tires need to be rated to a vehicle’s top speed, and you need a special sticker to get an exemption. Left-lane passing is strictly enforced, and both passing on the right and refusing to let a vehicle pass on the left are fineable offenses. (In the United States, left-lane laws vary by state.) Emergency lanes are restricted to actual emergencies, so you can’t pull over for just anything — and, because it’s avoidable, running out of gas is not considered an emergency.

Sarah Anne Lloyd
Writer

Sarah Anne Lloyd is a freelance writer whose work covers a bit of everything, including politics, design, the environment, and yoga. Her work has appeared in Curbed, the Seattle Times, the Stranger, the Verge, and others.

Original photo by R. Wellen Photography/ Shutterstock

Today, riding an elevator is a mundane activity, but little more than two centuries ago, these mechanical contraptions were steam-powered, death-defying wonders. In the years since, these mostly unseen pieces of urban infrastructure have become a key part of what makes modern cities possible. Without them, a city’s upward trajectory would be impossible, and the design of our world would be unimaginably different. Here are six amazing facts about the humble elevator, from its surprisingly ancient origins to the many places it may take us in the future.

Drawing of Archimedes.
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Greek Mathematician Archimedes Invented an Elevator in 236 BCE

The elevator is a surprisingly old invention. According to writings from the ancient Roman engineer Vitruvius (the same Vitruvius who inspired Leonardo da Vinci’s “Vitruvian Man”), the Greek mathematician Archimedes invented a primitive elevator back in 236 BCE. Archimedes’ contraption bore little resemblance to today’s people-movers: It worked via manpower, with ropes drawn around a drum that was then turned by a capstan, a large revolving cylinder often used to wind ropes on ships. Although the attribution was written after Archimedes’ death, the invention makes sense for the great Greek thinker, who was famous for his exploration of compound pulley systems. Elevators join the list of other surprising ancient inventions, including such wonders as the world’s first steam engine and the world’s first computer.

Staircase in an old apartment building.
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Before the Modern Elevator, Top Floors Were Undesirable

Today the most luxurious high rises are crowned with multimillion-dollar penthouses, but before the rise of elevators (pun intended), the most desirable floors were those closest to the ground. The first building to include elevators at the design stage was the 130-foot Equitable Life Building in downtown Manhattan, which was built in 1870. Society was slow to adjust to the elevator, and the building was designed to look like it had fewer floors than it did. Also, the insurance company that worked out of the building still occupied the “valuable” lower floors, while the custodian enjoyed the upper floors. The era of the penthouse didn’t arrive in full swing until the 1920s, when the decade’s economic boom brought a flurry of construction projects to New York City and other cities around the world.

Elisha Graves Otis shows his first elevator in the Crystal Palace, New York City.
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An American Inventor Created the First Modern Passenger Elevator

A key part of the very first passenger elevator was invented by Elisha Graves Otis, who founded the Otis Elevator Company, a manufacturer still in business today. Otis invented a safety device that would prevent an elevator car from falling if the cable broke. Before Otis’ invention, elevators were dangerous contraptions primarily reserved for moving cargo in factories, warehouses, and mines. In 1854, Otis introduced his “safety elevator” at New York City’s Crystal Palace, also known as “Exhibition of the Industry of All Nations,” where he asked someone to cut the rope that was holding him up. Once cut, the platform dropped only a few inches before catching him. This enhanced safety feature helped sway public opinion by demonstrating that elevators could be a safe means of vertical transportation. Today, elevators are considered statistically safer than stairs.

Cora Fossett, female elevator operator on a Cincinnati skyscraper.
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People Once Trained for Years To Be Elevator Operators

Although Elisha Otis invented a safer elevator, that didn’t mean the device was foolproof. For decades, operating an elevator was considered a highly skilled job that required years of study in some parts of the world, such as Germany. In the late 19th century, elevators were operated using “shipper ropes,” and operators were trained on the precise timing of pulling these ropes to arrive at the right floor. A well-trained operator was highly desirable, since they made the difference between a smooth ride or a death-defying jumble of starts and stops.

Over the decades, the job of the elevator operator became increasingly automated. In 1887, American inventor Alexander Miles designed the first automatic elevator doors, after reading about several accidents involving people falling down elevator shafts. But it wasn’t until the 1960s — a little over a century after Elisha Otis introduced the first safety elevator — that automated elevator cars began to replace human operators entirely.

Aerial View of Downtown Shanghai, including the Shanghai Tower.
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The Fastest Elevator in the World Travels Up to 67 Feet Per Second

In the early days, elevators could only travel at about 40 feet per minute. After some 150 years of innovation, the world’s fastest elevator can now travel 67 feet in a second (or around 46 miles per hour). This elevator is located in Shanghai Tower in China, which also includes the longest continuous elevator run, at 1,898 feet. Originally installed by the Japanese company Mitsubishi Electric in 2015, the elevator got an upgrade in 2016, allowing it to traverse a path from the second-level basement to the tower’s 119th floor in just 53 seconds. The elevator in the CTF Finance Center, also located in China, comes in a very close second, traveling at 65 feet per second.

German Engineers Designed a Sideways Elevator in 2017

Since their invention two millennia ago, elevators have done just two things — go up and go down. However, in 2017 a German elevator company began testing an elevator that can travel in any direction. Nicknamed the “Wonkavator” after the multidirectional elevator seen in 1971’s Willy Wonka & the Chocolate Factory, the machine was hailed as “the biggest development in the elevator industry” since the device’s invention. However, a sideways elevator is only the beginning of what’s in store for the technology’s future. Scientists (and sci-fi writers) have also hypothesized about the feasibility of a space elevator that can ferry future astronauts from the Earth’s surface to outer space — completely forgoing the need for expensive, pollution-belching rockets.

Darren Orf
Writer

Darren Orf lives in Portland, has a cat, and writes about all things science and climate. You can find his previous work at Popular Mechanics, Inverse, Gizmodo, and Paste, among others.

Original photo by Angelica Reyes/ Unsplash

Few brands are as recognizable as Starbucks, a company that began in 1971 as a single Seattle-based store before blossoming into one of the world’s most notable coffee suppliers. Starbucks’ legendary green-and-white logo can be found in most corners of the globe, providing that important morning boost to coffee lovers everywhere. With a legacy over five decades old, Starbucks’ history is as fascinating as its coffee is invigorating. Keep reading to start your day off right with six facts about Starbucks to perk you up.

Starbucks Coffee logo.
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The Company’s Name Was Inspired by the Novel “Moby-Dick”

While the word “Starbucks” is known by coffee lovers worldwide, the singular version of that word holds a different meaning in the world of literature. The name of the brand was inspired by Herman Melville’s 1851 work Moby-Dick, though that almost wasn’t the case. When deciding on a name for their new company in 1971, the founders of Starbucks briefly considered “Cargo House.” The goal during those early brainstorming sessions was to come up with a name that captured an adventurous spirit and also reflected the storied fishing history of the Pacific Northwest. This in turn led to a suggestion by co-founder Gordon Bowker, who proposed the name “Pequod,” after the ship from Moby-Dick. However, the group decided that going for a “cup of Pequod” didn’t sound particularly appealing, forgot about Moby-Dick for the time being, and went back to the drawing board.

As the brainstorming continued, Bowker claims that his business partner, designer Terry Heckler, mentioned that words beginning with “st” felt powerful. In searching for words beginning with “st,” the group came across an old mining town called “Starbo” on a map of the nearby Cascade Mountains. This reminded Bowker once again of Moby-Dick, and specifically the character Starbuck, who served as the first mate for Captain Ahab. Bowker’s suggestion was a hit with his co-founders, and they tacked on an “s” at the end and officially adopted the name “Starbucks” for their new brand.

View of musician Ray Charles performing.
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Starbucks Won a Grammy Award in Collaboration With Ray Charles

Starbucks hasn’t only achieved greatness in the world of coffee, but in the music industry, too. Starbucks helped co-produce the 2004 Ray Charles album Genius Loves Company, which proved to be the final studio album by the legendary singer and pianist. The album features 12 awe-inspiring duets with other musical greats, including Willie Nelson, Norah Jones, and B.B. King. It wouldn’t have been possible without the backing of Starbucks, who partnered with Concord Records to produce the album. The result was a smash hit — Genius Loves Company went on to win eight Grammy Awards, including both Record and Album of the year, and also sold enough copies to go triple-platinum.

Starbucks later acquired the Hear Music record label in 2007, expanding its influence in the world of music. However, despite producing albums for esteemed artists including Kenny G, Paul McCartney, and Carly Simon, the label ultimately fell by the wayside as digital music displaced physical media. Even still, Starbucks began a partnership with streaming service Spotify in 2016, ensuring that the coffee company would remain involved in the music scene to some degree.

Employees of the Central Intelligence Agency walk in front of the Agency's facility.
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There’s a Special Starbucks for Members of the CIA

With upwards of 30,000 publicly accessible franchises worldwide, there’s only one Starbucks that specially caters to members of the Central Intelligence Agency. Located inside CIA headquarters in Langley, Virginia, this Starbucks is only available to those with the highest levels of security clearance. While the store is decorated to look like a normal Starbucks in order to help humanize an otherwise tense job, the experience at this Starbucks is anything but normal. In order to maintain secrecy, receipts merely depict “Store Number 1” as opposed to any specific location. Furthermore, baristas — who undergo extensive background checks — are forbidden from writing names on any of the cups, not even aliases; this is done to preserve the confidential identities of CIA agents. Don’t try using your Starbucks rewards card here either, as such perks are banned for fear that they could “fall into the wrong hands.” Despite all these irregularities compared to the normal experience, the store remains an immensely popular fixture among CIA employees and boasts long lines at all hours of the day.

Starbucks employee holding a store branded apron.
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Different Colored Starbucks Aprons Mean Different Things

When Starbucks was first founded in 1971, its baristas were known for wearing simple brown grocers’ aprons. In 1987, the company adopted their now-iconic green aprons featuring a brand-new logo, which remains the norm for the majority of baristas. Though you’re likely to mostly see green aprons at Starbucks locations, other designs may pop up from time to time. Some Starbucks aprons boast practical applications — traditional green aprons that are embroidered with ASL fingerspelling signify that the barista is fluent in American Sign Language. Others are unique to certain regions, including orange aprons, which are worn in the Netherlands during King’s Day, an annual Dutch celebration on April 27. This seasonality extends to America as well, where red aprons are worn around the December holidays.

The colors black and purple, however, are worn only by the best of the best. The coveted black apron is worn by Starbucks Coffee Masters, who complete the Starbucks Coffee Academy and earn their certification for being extraordinarily passionate and knowledgeable about the product. Even more prestigious is the purple apron, which signifies being a champion barista. These are given to winners of the company’s annual international Starbucks Barista Championship, making it the rarest color of the bunch.

The inside of Starbucks Reserve Roastery, the world's largest Starbucks coffee store.
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The World’s Largest Starbucks Is Located in Chicago, Illinois

In 2019, the 32,000-square-foot Tokyo Reserve Roastery ceded its “World’s Largest Starbucks” title to a brand-new location on the Magnificent Mile in Chicago, Illinois. Encompassing 35,000 square feet of area and spanning five stories, the new world’s largest Starbucks provides a different experience on every floor. The first and second stories offer customers the chance to sample Reserve brand Starbucks coffee, consume baked goods, and purchase Chicago-themed Starbucks merchandise. Moving up to the third floor, you can find an experiential coffee bar, featuring unique nitrogen-infused gelato drinks and special pistachio lattes, among other concoctions. Floor four offers a different kind of Starbucks experience, as it’s home to a bar brewing up decadent alcoholic cocktails. Last but not least, the fifth floor allows the opportunity for customers to enjoy their Starbucks beverages in a private rooftop setting. All in all, you’re not going to find a bigger Starbucks anywhere in the world.

Starbucks Coffee pumpkin spice latte to-go on a patio table.
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Starbucks Invented the Pumpkin Spice Latte

Love it or hate it, the pumpkin spice latte is a part of the American coffee identity. It’s hard to imagine that the drink didn’t exist as recently as the early 2000s, and we have Starbucks to thank for the seasonal treat — they introduced it in 2003.

Pumpkin spice lattes were created by the “Liquid Lab” at Starbucks’ Seattle headquarters, and are considered to be the brainchild of Peter Dukes. Dukes had the idea for the latte back in 2001, at a time when Starbucks was trying to conceive of a fall-themed beverage that would become as popular as their seasonal holiday drinks. Short of an actual recipe, the testers brought pumpkin pies into a lab, poured espresso atop, and ate the pie in what proved to be a delicious treat. After matching the taste in drink form, the result blew up into a worldwide sensation.

Pumpkin spice lattes were first tested in 100 Starbucks stores in 2003 before launching worldwide the following year. They went on to sell upwards of 500 million cups in the drink’s first 18 years on the market. The drink has expanded far beyond Starbucks ever since, becoming an autumnal staple of coffee shops everywhere.

Bennett Kleinman
Staff Writer

Bennett Kleinman is a New York City-based staff writer for Optimism Media, and previously contributed to television programs such as "Late Show With David Letterman" and "Impractical Jokers." Bennett is also a devoted New York Yankees and New Jersey Devils fan, and thinks plain seltzer is the best drink ever invented.

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Even in a golden age for sitcoms that churned out fan favorites from All in the Family to Taxi, Laverne & Shirley was a breath of fresh air, an anything-goes romp featuring a pair of female leads willing to get down and dirty in a way not seen since the heyday of Lucille Ball. Aided by a pair of lovably goofy upstairs neighbors, a pizza-slinging dad, and a singing boxer (among others), Laverne & Shirley became an instant hit in January 1976 and continued going strong into the ’80s, until the curtain finally dropped following an eight-season run.

Although series creator Garry Marshall lamented the behind-the-scenes stress of the show in his memoir My Happy Days in Hollywood, there was nothing but magic when the cameras rolled on Penny Marshall and Cindy Williams playing off one another as Laverne DeFazio and Shirley Feeney. So let’s sit back with a glass of milk and Pepsi and take a look at the makings of a show about a couple of feisty Milwaukee ladies who did it their own way.

American producer, writer, actor and director Garry Marshall.
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Laverne and Shirley Were Inspired by Garry Marshall’s Brawling Date

As with Mork & Mindy, Laverne & Shirley originated with the characters’ guest roles on Happy Days, in this case as tough-talking dates for the Fonz and an overwhelmed Richie. According to Garry Marshall’s memoir, when seeking to fill out the backstory of these “girls from the wrong side of the tracks,” he thought back to a night out in Brooklyn in the late 1950s, when his date responded to a rude comment from another woman by engaging her in a full-blown fistfight. That “tough-as-nails quality” permeated his vision of Fonzie’s lady friends, and the favorable audience reaction from that November 1975 episode convinced Marshall that his little sister Penny and her writing partner had the star quality for a spinoff.

Cindy Williams As Shirley Feeney.
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Williams Was Reluctant To Co-Star in the Series

While Penny Marshall was ready to take direction from her big brother, Williams was ambivalent about accepting the offer to co-star in a new sitcom. As a result, producers ended up auditioning others for the part of Shirley, even taping a test scene with another actress named Liberty Williams, although everyone seemed to agree that the original Shirley was the best. Hoping to tip the scale in the right direction, ABC executive Michael Eisner deliberately hid the Liberty Williams test tape and showed the Cindy Williams footage to his bosses for consideration. Meanwhile, the latter finally ended the suspense and agreed to do the series, paving the way for Laverne & Shirley‘s quick launch a few weeks later.

Penny Marshall Created the Show’s Signature Drink and Chant

Laverne & Shirley‘s creator wasn’t the only one who saw his formative influences funneled into the show’s fabric. According to Penny Marshall’s autobiography My Mother Was Nuts, the milk and Pepsi concoction was spawned after a stint at a Jewish summer camp, where kosher dietary restrictions prevented the pairing of milk and meat for meals and most kids drank Pepsi instead. Forbidden to drink Pepsi at home until her milk was finished first, Marshall eventually found that she enjoyed combining the two. Additionally, the distinct “Schlemiel! Schlimazel! Hasenpfeffer Incorporated!” chant that kicks off the intro was one that was oft-repeated by Marshall and her friends as they walked to school in the Bronx, although the actress had no clue where the Yiddish-infused sing-along came from.

American actresses Penny Marshall, as Laverne De Fazio, and Cindy Williams as Shirley Feeney.
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Boo Boo Kitty Was Born From a Missed Line

Not to be left out, Williams also had a real-world-inspired contribution to the proceedings when she forgot a line early in the show’s run. As told in her own memoir, Shirley, I Jest, during one rehearsal she was supposed to comment on the pile of dust beneath a bed, but instead pulled out a stuffed cat that was lying there, had a flashback to one of her mother’s pets, and exclaimed, “Oh, look what I found, Laverne. It’s Boo Boo Kitty!” The stuffed animal soon became a series stalwart, but that created an entirely new problem, as producers were unable to find a backup version in case the regular one was lost or destroyed. It wasn’t until an autograph signing years later, when two women approached with their own Boo Boo Kitty dolls, that Williams learned that the playthings were sold along with pajama bags at J.C. Penney in the 1960s.

 David Lander and Michael McKean circa 1979.
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Lenny and Squiggy Predated “Laverne & Shirley”

The dim but devoted Lenny and Squiggy, played by Michael McKean and David Lander respectively, originated during the pair’s college years at Carnegie Mellon University in the 1960s. They revived the characters for a Los Angeles comedy troupe called The Credibility Gap, and Garry Marshall then gave the young comedians a chance to write themselves into the show. Per Penny Marshall, a couple of tweaks were made to the characters: Lander’s Anthony Squiggliano became Anthony Squiggman, because there was already an abundance of Italians on the show. Garry Marshall also shot down the idea of the neighbors serving as equally matched foils and love interests to the stars. “There has to be someone lower than the two of you,” he told his sister. “That’s Lenny and Squiggy.”

Stars of the TV series Laverne and Shirley, actresses Penny Marshall and Cindy Williams.
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Williams’ Pregnancy Ended Her Run on the Show

Viewers may recall that the final season of Laverne & Shirley was largely filmed without Shirley, a development triggered by Williams’ pregnancy. In Williams’ telling, producers wanted her to work on her scheduled due date and refused to accede to requests for more reasonable hours.

According to her co-star, Williams’ husband had an ever-changing list of demands that became increasingly difficult to accommodate. The impasse left Marshall to carry the now-flailing show by herself (albeit with a doubled salary), and also drove a wedge between the two women that persisted until after Williams’ divorce in 2000. Fortunately, the passing years and hard feelings didn’t extinguish the chemistry they shared as performers, and the flames flickered back to life when they reunited for an episode of Sam & Cat in 2013.

Tim Ott
Writer

Tim Ott has written for sites including Biography.com, History.com, and MLB.com, and is known to delude himself into thinking he can craft a marketable screenplay.

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Some colors tend to come and go as fashion dictates, but a few have been chosen by humans for very specific, utilitarian purposes. Whether it’s about leveraging the advantages or limitations of human sight, or just evoking a particular emotional response, civil engineers and designers have used color to shape our world in ways you may not expect. Here are the stories behind the colors of five everyday objects — and why these hues are perfect for their assigned tasks.

School buses in a parking lot.
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School Buses

Glimpse a fleet of buses parked at any U.S. public school, and you’ll notice they’re all the same deep yellow — and it’s been that way for nearly a century. In an effort to standardize school bus construction around the country, thus ideally making them both safer and cheaper to mass-produce, school transportation officials met at Columbia University in 1939 to discuss the universal color for these vehicles. Fifty shades were hung up on the walls, ranging from lemon to deep orange. The color that was finally selected — known today as National School Bus Glossy Yellow, or Color 13432 — was chosen because of its ability to stand out from the background. Education officials didn’t know it at the time, but Color 13432 is wired to capture our attention, as the shade stimulates two of the three types of cones in the human eye — sending double the transmission to the brain compared to many other colors. That’s one reason a big yellow school bus is just so hard to miss.

Interior of Modern Film Studio with Green Screen and Light Equipment.
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Green Screens

In the age of computer-generated imagery, the green screen is nearly as ubiquitous as the film camera. The technique using green screens, called chroma keying, has been around since the early days of film, but why is the screen green, exactly? Turns out, this verdant hue has more to do with human skin tones than the color itself. Most human skin is essentially some shade of orange, and because green (and in some cases blue) is far away from this hue, the color can be used by a “chroma keyer” to replace the background image without affecting the human in the middle. This also explains why meteorologists can’t wear green on St. Patrick’s Day, since they would “disappear” on newscasts; the chroma keyer would include their green-hued clothes along with the green screen.

Traffic light against the blue sky.
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Traffic Lights

Traffic lights today help motorists navigate busy intersections, but this helpful technology is actually a direct descendant of railroad traffic lights. Before the dawn of the automobile, railroads used the color red to mean “stop” because red has the longest wavelength in the visible spectrum — meaning it could be seen farther than any other color. This was (and is) especially important on the rails, because trains can take at least a mile to come to a stop. Initially, green meant “caution” and white meant “all clear,” but when some conductors confused starlight as an all-clear signal, green eventually replaced white.

In the very early years of the automobile era, traffic lights were only two colors — green and red. The first yellow light wasn’t introduced until 1920, and the three-way traffic light we know today wasn’t patented until 1923. Yellow became known as “caution” due to the fact that it’s the second-easiest color to spot, after red. Originally, yellow was also used for stop signs as it was easier to see the color at night, but the invention of reflective materials and non-fading dyes soon saw the spread of red stop signs throughout the country.

Scrub nurse preparing tools for operation
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Surgical Scrubs

Walk into any hospital (or watch any medical drama), and surgeons are almost always wearing bluish-green scrubs. Because blue and green are far removed on the color spectrum compared to red, these cooler colors help refresh a surgeon’s eyes when operating on a patient (whose insides are essentially various shades of red). Because surgeons are visually focused on red-hued environments, glancing at a white background (the chosen hospital color of times past) can leave a ghostly green after-image, much like what your eyes experience after a camera flash. However, if the surrounding environment is green, then those after-images simply blend into the background.

Top down view on comercial airplane docking in terminal.
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Airplanes

Although today’s Boeing 737s and Airbus A320s can feature colorful airline logos, the majority of the plane is painted white — and that’s for a good reason. Because the color white contains all colors in the visual spectrum, it’s also the most reflective, which helps keep airliners cool, especially when taxiing on runways. Airplanes are usually cooled by air sucked into engines during flight, or by external units hooked up to planes at the gate. However, if a plane experiences a long delay on the tarmac and engines are idle, things can get toasty really quick. So airlines will use any trick in the book, including lowering sun shades, opening air vents, and yes, painting planes white, to help keep passengers in the cabin as comfortable as possible.

Interesting Facts
Editorial

Interesting Facts writers have been seen in Popular Mechanics, Mental Floss, A+E Networks, and more. They’re fascinated by history, science, food, culture, and the world around them.

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The most beloved children’s books are also remembered fondly by grown-ups, but there’s always something new to learn about them. Which rhyming classic, now a standard part of any nursery, had dismal sales at first? What was Where the Wild Things Are originally about — and where did the titular Wild Things come from? Which author started her iconic tales by writing letters?

From innovative illustrations to a bestseller written on a $50 bet, these six facts about favorite children’s books will send you straight to the library for a little rereading.

An old copy of Goodnight Moon, an American children's book.
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“Goodnight Moon” Wasn’t a Huge Success at First

Goodnight Moon by Margaret Wise Brown is one of the most famous children’s books of all time — but it was never a big success during the author’s lifetime. It sold just 6,000 copies when it first came out in the fall of 1947, and reviews were middling to mixed. So what happened?

One possible reason for its initial popularity problem could be Anne Carroll Moore, former head of New York Public Library’s children’s services and a wildly influential figure in the children’s literature world. If Moore hated a book, it made an impact that reverberated far beyond the Empire State, and she thought that Goodnight Moon was cloyingly sentimental. The book eventually became popular probably by word of mouth, but it took a long time: The title sold 4,000 copies in 1955, 8,000 copies in 1960, then nearly 20,000 in 1970, and only went up from there. It has never been out of print. Even the New York Public Library finally put it in circulation in 1972 — although the delay likely kept it off their Top Checkouts of All Time list.

At least Goodnight Moon was in good company. While Moore made many library innovations that we take for granted today, including the very idea of having a space for children at a library, she had some controversial opinions on the books themselves. She had an intense professional relationship with author E. B. White that eventually became adversarial, and hated Stuart Little with a passion — although her effort to ban it from libraries and schools got severe pushback from other parts of the literary community. She wasn’t a huge fan of Charlotte’s Web, either, but her influence had waned by the time it was published.

An assistant holds a first edition of The Tale of Peter Rabbit by Beatrix Potter.
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“The Tale of Peter Rabbit” Started as a Letter to a Sick Child

At age 27, author Beatrix Potter wrote an eight-page letter, hoping to cheer up the sick 5-year-old child of her former governess. In it, she told a story of Peter Rabbit and his siblings Flopsy, Mopsy, and Cotton-Tail. Potter loved making watercolor images of animals, so she illustrated the tale before sending it off.

Publishing was not part of the original plan, but after getting an overwhelmingly positive response to her letter, she decided to send it around to publishers. After getting rejected at least six times, Potter published The Tale of Peter Rabbit independently in 1901. The next year it was picked up by a major publisher, became a major hit, and the rest is history.

The Tale of Peter Rabbit isn’t the only Potter story to start this way. Others, including The Tale of Squirrel Nutkin, The Tale of Mr. Jeremy Fisher, and some other Peter Rabbit books, were also based on illustrated letters sent to children.

Little Blue Engine graphic from the children's book.
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Nobody Knows Who Actually Wrote “The Little Engine That Could”

Today, there’s a standard edition of The Little Engine That Could, immortalized as a standalone children’s book in 1930. That version credits the story “as retold by” Watty Piper, a pseudonym for children’s book publisher Arnold Munk — because the tale actually dates back far enough that it’s practically considered a folktale.

One Little Engine enthusiast even found a version published in Sweden in 1903. In 1906, a minister used a version of the story, complete with “I think I can” and “I thought I could,” as a parable in a sermon published in a newspaper. By 1920, the story was already in wide circulation. The 1930 version’s closest relative is The Pony Engine, published in a children’s magazine by educator Mabel Bragg in 1916. There was a legal battle in the 1950s over whether another author published a similar version in a series of newsletters in the early 1910s.

The original author’s identity remains unknown, and, with traces dating back about 120 years, anyone with direct knowledge of the story’s beginnings is almost certainly dead. At this point, maybe it’s a collaborative work, anyway.

Author/illustrator Maurice Sendak standing by an life-size scene from his book.
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Maurice Sendak’s “Wild Things” Were Originally Horses

It’s hard to imagine a world without Where the Wild Things Are, but if author and illustrator Maurice Sendak had just been a little better at drawing horses, things could have turned out much differently.

“At first,” Sendak told the LA Times in 1993, “the book was to be called ‘Where the Wild Horses Are,’ but when it became apparent to my editor I could not draw horses, she kindly changed the title to ‘Wild Things,’ with the idea that I could at the very least draw ‘a thing’!”

Now tasked with drawing “things,” Sendak turned to his extended family for inspiration. As a child, he dreaded when his “hideous, beastly relatives,” with what he described as bad breath, blood-stained eyes, and giant yellow teeth, would show up for dinner, ready to squeeze and pinch him.

“So I drew my relatives,” Sendak continued. “They’re all dead now, so I can tell people.”

Children's book, The Snowy Day, on an open page.
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The Illustrations in “A Snowy Day” Are Mixed-Media Collages

A Snowy Day by Ezra Jack Keats was groundbreaking in many ways when it was first published in 1962: It was one of the first, if not the first, American full-color children’s books to feature a Black protagonist, for example, and one of just a handful of them to feature an urban landscape. The collaged illustrations, which earned Keats a Caldecott Medal, were fresh and innovative, using a combination of cloth, paper, and paint to create Peter and a snow-covered New York City.

Keats had illustrated children’s books before, and typically only used paint, which was the original plan for A Snowy Day. Instead, he fell into collage, making paper cutouts for the buildings, adding fabric embellishments, and dressing Peter’s mother in oilcloth. He also used homemade snowflake stamps and applied India ink with a toothbrush to complete the look. He continued to use collage for all his future works.

The book, Green Eggs and Ham by Dr Suess.
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“Green Eggs and Ham” Has a 50-Word Vocabulary

In his earlier career, Theodor “Dr. Seuss” Geisel was a little wordier; his first book, And to Think That I Saw It on Mulberry Street, is a little bit of a mouthful in the title alone. So how did we get from there to, say, Hop on Pop?

For The Cat in the Hat, Geisel’s publisher challenged him to limit his vocabulary to just 225 words chosen from a 348-word early reader vocabulary list, making it both easy and exciting for very young children learning to read. He picked the first two rhyming words he saw, “cat” and “hat,” and built the entire plot from there. The finished product was 11 words over the limit, at 236.Soon afterward, Geisel’s publisher gave him a new, more difficult challenge — write a book using only 50 words — and bet him $50 he couldn’t do it. This time, the author stuck to the limit, and the result was “Green Eggs and Ham.”

Interesting Facts
Editorial

Interesting Facts writers have been seen in Popular Mechanics, Mental Floss, A+E Networks, and more. They’re fascinated by history, science, food, culture, and the world around them.

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You’ve probably heard that your fingerprints are unique, and that no one else in the entire world shares the same pattern of ridges as you have on your fingertips. This certainty is so absolute that fingerprints have been used as a means of identifying people for thousands of years — Chinese societies used them for this purpose possibly as early as 300 BCE. But beyond their individuality, fingerprints continue to be a mystery to scientists and are constantly being studied. That being said, here are a few facts we do know.

Two women high five on a mountaintop.
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Your Fingerprints Contain Whorls, Arches, and Loops

Technically, the patterns of ridges on your fingertips are called dermatoglyphs, from the Greek roots derma (skin) and glyph (carving). Fingerprints are the impressions left by the dermatoglyphs, though people often refer to both the ridges and their impressions as fingerprints.

The ridges follow three universal patterns: loops, whorls, and arches. Loops are curved ridges that fall back on themselves in an elongated C shape, with the open ends of the C pointing either toward or away from the thumb. Whorls are ridges in concentric circles or spirals. Arches look like the contour of a mountain. Of the three types, loops are the most common (60% of fingerprints), followed by whorls (35%), and arches (5%).

Close-up of a handprint being brushed for evidence.
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It’s Almost Impossible To Change or Eliminate Fingerprints

Fingerprints don’t change pattern or naturally disappear over the course of a person’s life, and it’s incredibly difficult to get rid of fingerprints, as some famous criminals could attest. The gangster John Dillinger attempted to hide his identity by burning off his fingerprints with acid (it didn’t work). At least two other Depression-era murderers tried to obliterate their prints with knife cuts. All found out the hard way that it’s almost impossible to eliminate fingerprints on purpose. The ridges will eventually grow back into the same patterns.

However, there are a few scenarios in which someone may lack them. People with a genetic condition called adermatoglyphia are born without ridges in the skin of their fingertips, palms, or soles of their feet. Skin conditions like psoriasis and repetitive manual labor can also change or wear down the ridges. Some chemotherapy drugs cause hands to swell and blister, resulting in the loss of fingerprints.

Pregnant girl in a white dress on a background of a river.
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Fingerprints Form Before You’re Born

Studies have suggested that genetic and environmental factors guide the formation of ridges on the fingers, hands, toes, and feet between the third and sixth months of fetal growth. Genes that control the development of dermal layers in these body parts seem to dictate the size, shape, and pattern of the ridges. The chemical balance in the mother’s uterus probably plays a role, too. All of these influences add up to the creation of a set of dermatoglyphs that is totally unique — even identical twins have different fingerprints. Though it should be noted that despite the fact that scientists have studied fingerprints for a few centuries, they still don’t agree on how they form.

A fingerprint under a magnifying glass.
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The Function of Fingerprints Is Still a Mystery

Scientists also don’t agree on why we have fingerprints in the first place, but they have some theories. For decades, biologists assumed that dermatoglyphs evolved to give people a better grip on things. Two University of Manchester researchers tested this idea in 2009 by running hard plastic sheets over their fingertips and measuring the amount of friction. They found that their ridges actually decreased the contact area between the fingertip and plastic, reducing grip power.

More recent research has suggested that fingerprints improve our sense of touch. For a 2021 study, researchers at Sweden’s Umeå University recorded 12 participants’ nerve responses while finely textured cards were run over their fingertips. The responses revealed hotspots of sensitivity that matched the ridge patterns of the subjects’ fingerprints — supporting the idea that they enhance our tactile feeling.

A baby gorilla inside the Virunga National Park, the oldest national park in Africa.
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Animals Have Unique Fingerprints, Too

One reason that scientists thought fingerprints helped our grip ability is that other primates who climb and hang on to trees also have them. Gorillas, orangutans, and chimpanzees have dermatoglyphs on their fingers and toes that are unique to each individual.

Koalas also have fingerprints that look remarkably human, even though humans aren’t related to koalas. Biologists believe their dermatoglyphs represent convergent evolution, in which unrelated organisms independently develop similar traits.

Interesting Facts
Editorial

Interesting Facts writers have been seen in Popular Mechanics, Mental Floss, A+E Networks, and more. They’re fascinated by history, science, food, culture, and the world around them.